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Our Workshop

Comprehensive Automotive Restoration

Learn More About Our Workspace

Our workshop is located about 24 miles north of Boston, Massachusetts; the purpose-built facility has evolved over the decades to include dedicated areas for mechanical work, coachbuilding, bodywork and painting, machining, and upholstery. In addition to the workspaces, parts and materials shop, sales showroom, and office complete the 38,000 sq. ft. state-of-the-art complex. Just like the people inside, our facility is dedicated to the restoration of classic European cars, ensuring their timeless beauty and unmatched performance are brought back to life.

As you step into our workshop, you’ll be greeted by a meticulously designed space that caters to every aspect of car restoration. We understand that restoring classic European cars requires specialized expertise, which is why we have dedicated areas for various stages of the restoration process. Our well-lit workspaces ensure that every project is carried out with the utmost clarity and accuracy. Whether our skilled technicians are artistically crafting a body-panel, ensuring an engine is tuned to perfection or meticulously applying the perfect paint finish, our facility provides the ideal setting for their expertise to shine.

With plenty of workspace for all individuals and multiple ongoing projects, our facility fosters an environment of collaboration and creativity. We take great pride in our commitment to quality and craftsmanship. Every car that passes through our doors is treated with the utmost care, with a meticulous eye for detail evident in every aspect of our work. We adhere to the highest standards, ensuring that each classic European car is restored to its former glory, surpassing even the most discerning expectations.

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Coachbuilding.

The Metal Fabrication Shop was added to the business in 1984. We are especially proud of these hard-to-find services, which illustrate both the technical and the artistic skills required for automotive restoration. Panel beating, or recreating a body panel in the proper shape and size from a piece of flat sheet metal, requires a skilled hand and an experienced eye.

Distributed amidst the two work bays in the metal shop is the specialized equipment used by the early coachbuilders, who made all body panels by hand and then fitted them to each individual chassis. For the restoration of a 300 SL body we can reference the full-size blueprints acquired from the Mercedes-Benz factory. But for most metal work we have to use the remaining evidence on the car, in combination with any photographs or drawings from our library of reference materials, to determine what the panel shape should be. Often we must also go out into the classic car community to find other examples, to examine and measure, and occasionally to make templates.

Body and Paint.

As in the metal shop, skylights help to give a clear view of panel surfaces. The five work bays are usually full of bodies on chassis jigs and assorted body panels on sanding benches. This is where the body parts are primed and minor surface imperfections are addressed with various epoxy filler primers. Any irregularities or gaps in the fit of the panels are adjusted during trial assemblies, before the color coat is applied.

Our pressurized downdraft Paint Spray Booth is just one part of a significant investment in the proper environmental control equipment needed to do restoration work responsibly. Air is brought in from outside the building, filtered, and then pushed down into the spray booth through a heater that adjusts the air temperature to the technician’s setting. The paint-filled air is exhausted through two sets of filters underneath the floor before being released.

Mechanical.

The Mechanical Shop, the largest part of our facility, has eight work bays, hydraulic car lifts for each on-going project, a full-sized paint booth for refinishing individual mechanical components, a separate room dedicated to rebuilding engines and transmissions, and an area earmarked for the final assembly stage of major projects. Distributed throughout the work bays are all the workbenches, tools and pieces of equipment necessary for the basic preventive maintenance and preservation work that all decades-old cars need.

A collection of rolling, shelved carts act as flexible dividers between the work bays. Each of these carts is filled with a project’s component pieces which will be reassembled into larger and larger parts until, in the case of a body-off restoration, a fully operational rolling chassis stands before you. Items on these shelves will receive a technician’s attention many times during the restoration process, as each gets disassembled, inspected, repaired, painted, plated, and reassembled.

Upholstery.

The Upholstery Shop is filled with natural sunlight and has two extra-large work tables for laying out and cutting leather hides and other fabrics, as well as for sewing and assembling individual trim pieces. In addition to the work tables, there is room for one car, for facilitating the hands-on installation of interior pieces such as carpeting and convertible tops.

When rebuilding the seats, interior panels and tops, our restoration technique is true to the original methods and materials used. If the seats or cabriolet tops originally had horsehair padding, that’s what our upholsterers use – we make no substitutions such as modern poly-foams just to make the job easier. When requested, our craftsmen will reproduce the custom luggage that was once offered by Mercedes-Benz and other European marques.

Machine Shop.

Within our Machine Shop are two Bridgeport milling machines, a metal lathe, a surface grinder, precision measuring tools, and a collection of the ‘old style’ machines used by the original part manufacturers. A Machinist’s services are in high demand here, as it is common-place for each project to be in need of quite a few rare items, whether the car is in for restoration or for service. A CAD program is used when work must be sent to a specialty machine shop or when it happens that we need to reproduce multiple quantities of an item, from door handles to door lock springs.

The Mercedes-Benz factories sustained massive damage from Allied bombing during World War II. Utility vehicles were the first post-war product, and helped the company toward recovery. But something more spectacular needed to be done to attract the world’s interest. In 1951, it was decided to re-enter the racing circuit. In order to do so with the least financial strain, a sports car was developed using the existing 300 engine. Because of the relatively heavy weight of that engine and drivetrain, an unusually light body needed to be constructed. And so, the tubular steel framed, aluminum bodied 300SL (Sport Light) was born. Approximately fifteen of these race cars were made, winning many events and earning the world sports car championship.

In 1952, the 300SL caught the interest of racing fans in the United States. New Yorker Max Hoffman was one such enthusiast, who used his car dealership to bring many of the European makes into this country. One might even say that he is responsible for the creation of the 300SL, as his order for 1,000 cars convinced the Mercedes-Benz officials to go ahead with the production of a street car based upon the 300SL racing sports car. The prototype 300SL was shown at the International Motor Sports Show in New York City in February 1954.

The first production car with a fuel-injected gasoline engine, the 300SL was one of the most reliable sports cars of the ’50s and ’60s. The proven 300 engine was tilted to the left to accommodate a lower hood line. The body style was designated Sport Leicht (Light) due to its aluminum doors, hood, decklid, rocker panels and belly pans, though the main body shell was constructed from steel. Unusual for the period, 300SLs came equipped with dependable heat, defrosters, and wiper motors.

Ultimately, three different versions of the 300SL were offered. The 300SL Coupe was produced from August 1954 to May 1957, during which time twenty-nine all-aluminum bodied cars were made as well. Production of the Roadster version was between February 1957 and February 1963. Whichever style is your preference, they are now highly valued for their pure driving pleasure in the Mille Miglia, Colorado Grand, and other vintage events.

Factory photos courtesy of Mercedes-Benz Archives.

Pininfarina or Pinin Farina? In 1930, Battista ‘Pinin’ Farina founded Carrozzeria Pinin Farina. This company designed and built car bodies for a number of manufacturers, including Alfa Romeo, Hispano Suiza, Lancia, Fiat, and, most notably, Ferrari. Battista is quoted as saying “The interrelation between the body of a beautiful woman and that of a Farina-designed car is that both have simplicity and harmony of line, so that when they are old one can still see how beautiful they were when they were young.”

In conjunction with Battista’s retirement in 1961, the President of the Italian Republic authorized the family name to be changed to Pininfarina “in consideration of his achievements in social and industrial activities”. As a result, the correct usage of the family name as Pininfarina or Pinin Farina depends upon the year it was used.

The Mercedes-Benz factories sustained massive damage from Allied bombing during World War II. Utility vehicles were the first post-war product, and helped the company toward recovery. But something more spectacular needed to be done to attract the world’s interest. In 1951, it was decided to re-enter the racing circuit. In order to do so with the least financial strain, a sports car was developed using the existing 300 engine. Because of the relatively heavy weight of that engine and drivetrain, an unusually light body needed to be constructed. And so, the tubular steel framed, aluminum bodied 300SL (Sport Light) was born. Approximately fifteen of these race cars were made, winning many events and earning the world sports car championship.

In 1952, the 300SL caught the interest of racing fans in the United States. New Yorker Max Hoffman was one such enthusiast, who used his car dealership to bring many of the European makes into this country. One might even say that he is responsible for the creation of the 300SL, as his order for 1,000 cars convinced the Mercedes-Benz officials to go ahead with the production of a street car based upon the 300SL racing sports car. The prototype 300SL was shown at the International Motor Sports Show in New York City in February 1954.

The first production car with a fuel-injected gasoline engine, the 300SL was one of the most reliable sports cars of the ’50s and ’60s. The proven 300 engine was tilted to the left to accommodate a lower hood line. The body style was designated Sport Leicht (Light) due to its aluminum doors, hood, decklid, rocker panels and belly pans, though the main body shell was constructed from steel. Unusual for the period, 300SLs came equipped with dependable heat, defrosters, and wiper motors.

Ultimately, three different versions of the 300SL were offered. The 300SL Coupe was produced from August 1954 to May 1957, during which time twenty-nine all-aluminum bodied cars were made as well. Production of the Roadster version was between February 1957 and February 1963. Whichever style is your preference, they are now highly valued for their pure driving pleasure in the Mille Miglia, Colorado Grand, and other vintage events.

Factory photos courtesy of Mercedes-Benz Archives.

In March of 1926, Felice Bianchi Anderloni founded Carrozzeria Touring in Milan, Italy. A “gentleman” race driver and coachbuilder for 1930s Isotta-Fraschini and Alfa Romeo, Felice was well respected for creating beautiful, aerodynamic designs. He developed the patented “superlight” Superleggera construction method, a marvel of metal tube frames welded to a solid chassis, then skinned with aluminum body panels.

When Felice died suddenly in 1948 it was up to his son Carlo Felice, known as “Cici”, to save the business. Cici did so in no uncertain terms, when he presented his 1/10-scale model of the distinctive Barchetta to prospective client Enzo Ferrari. Enzo accepted the “little boat” design as presented. The superleggera concept became so closely associated with Touring that it was incorporated into the name of the company, becoming Touring Superleggera Milano in the 1950s.

Pictured: Cici Anderloni proudly displays the original Barchetta model to Paul Russell. Lake Como, 1998.

Scraping is done with a long, wood-handled chisel. First, the surface is cleaned, made level, and marked in pencil with a grid pattern. The chisel is held with both hands, with further pressure applied by the shoulder pushing against the wooden handle. As the blade of the chisel digs into the aluminum surface, the chisel is pushed and ‘flicked’ with a rotating motion. Once this is repeatedly accomplished in one direction, the part is turned 90 degrees and the entire process repeated again. Finally, the part is hand-sanded with a very fine-grade paper to remove the aluminum shards and burrs.

For many years, conventional wisdom had it that there were 3 Atlantics built. Fortunately enthusiasts like L.G. Matthews and historians like Pierre-Yves Laugier continue to study all things Bugatti, and new information and analysis becomes known and shared. The revival of the Bugatti Marque in the ownership of the Volkswagen Group has facilitated a reorganization of the company historic archives, in the hands of the esteemed Julius Kruta.

It is now acknowledged that there was a prototype (pictured here) named the Aerolithe built on a modified T57 chassis and later disassembled to form the basis for the first production car, now on the S chassis number 57374. This first car was labeled the Aero, and resides at the Mullin Automotive Museum.

Chassis 57473 was the second car produced and the first to be called the Atlantic. There were two more Atlantics made, one of which has not been seen since it disappeared in Belgium in the 1940s. The last of the Atlantics produced is chassis number 57591.

Professor Ignacio Barraquer who owned the Autobahn-Kurier for more than 60 years, was not just any eye doctor, but possibly the most famous ophthalmologist who ever lived. He developed procedures and surgical instruments that are standard to this day, mostly associated with cataract surgery, and many named after him. His father was Professor of Ophthalmology at the School of Medicine in Barcelona, Spain, a position Ignacio was appointed to following his father’s retirement. Ignacio’s son, José, developed the keratomileusis, or LASIK operation, today a common surgical procedure.

Born into an Italian banking family, Count Carlo Felice Trossi was an amateur inventor and a noted motor sportsman of the 1930s. Known as ‘Didi’ to his friends, he enjoyed racing boats and airplanes in addition to his pursuits in the field of engineering. As an early financial backer of Enzo Ferrari, he become President of Scuderia Ferrari in 1932 while continuing to be a primary driver for the team.

Reproduced here is a picture dated 1932, and supplied by his family, of his SSK in front of Castello di Gaglianico. The records of the Automobile Club of Italy show that Count Trossi sold and bought back this singular car several times from 1931 until his death in 1949.

In March of 1926, Felice Bianchi Anderloni founded Carrozzeria Touring in Milan, Italy. A “gentleman” race driver and coachbuilder for 1930s Isotta-Fraschini and Alfa Romeo, Felice was well respected for creating beautiful, aerodynamic designs. He developed the patented “superlight” Superleggera construction method, a marvel of metal tube frames welded to a solid chassis, then skinned with aluminum body panels.

When Felice died suddenly in 1948 it was up to his son Carlo Felice, known as “Cici”, to save the business. Cici did so in no uncertain terms, when he presented his 1/10-scale model of the distinctive Barchetta to prospective client Enzo Ferrari. Enzo accepted the “little boat” design as presented. The superleggera concept became so closely associated with Touring that it was incorporated into the name of the company, becoming Touring Superleggera Milano in the 1950s.

Pictured: Cici Anderloni proudly displays the original Barchetta model to Paul Russell. Lake Como, 1998.

For many years, conventional wisdom had it that there were 3 Atlantics built. Fortunately enthusiasts like L.G. Matthews and historians like Pierre-Yves Laugier continue to study all things Bugatti, and new information and analysis becomes known and shared. The revival of the Bugatti Marque in the ownership of the Volkswagen Group has facilitated a reorganization of the company historic archives, in the hands of the esteemed Julius Kruta.

It is now acknowledged that there was a prototype (pictured here) named the Aerolithe built on a modified T57 chassis and later disassembled to form the basis for the first production car, now on the S chassis number 57374. This first car was labeled the Aero, and resides at the Mullin Automotive Museum.

Chassis 57473 was the second car produced and the first to be called the Atlantic. There were two more Atlantics made, one of which has not been seen since it disappeared in Belgium in the 1940s. The last of the Atlantics produced is chassis number 57591.

In March of 1926, Felice Bianchi Anderloni founded Carrozzeria Touring in Milan, Italy. A “gentleman” race driver and coachbuilder for 1930s Isotta-Fraschini and Alfa Romeo, Felice was well respected for creating beautiful, aerodynamic designs. He developed the patented “superlight” Superleggera construction method, a marvel of metal tube frames welded to a solid chassis, then skinned with aluminum body panels.

When Felice died suddenly in 1948 it was up to his son Carlo Felice, known as “Cici”, to save the business. Cici did so in no uncertain terms, when he presented his 1/10-scale model of the distinctive Barchetta to prospective client Enzo Ferrari. Enzo accepted the “little boat” design as presented. The superleggera concept became so closely associated with Touring that it was incorporated into the name of the company, becoming Touring Superleggera Milano in the 1950s.

Pictured: Cici Anderloni proudly displays the original Barchetta model to Paul Russell. Lake Como, 1998.

Born into an Italian banking family, Count Carlo Felice Trossi was an amateur inventor and a noted motor sportsman of the 1930s. Known as ‘Didi’ to his friends, he enjoyed racing boats and airplanes in addition to his pursuits in the field of engineering. As an early financial backer of Enzo Ferrari, he become President of Scuderia Ferrari in 1932 while continuing to be a primary driver for the team.

Reproduced here is a picture dated 1932, and supplied by his family, of his SSK in front of Castello di Gaglianico. The records of the Automobile Club of Italy show that Count Trossi sold and bought back this singular car several times from 1931 until his death in 1949.